This novel looks very, very intense. That we once felt we could treat mentally disabled people in this manner still floors me.
A Question of Mercy
A cross-country odyssey that examines the blurred line between what is legal and what is right.
Jess Booker, on the run and alone, leaves the comfort of her home near Asheville, recklessly trekking through woods and hitchhiking her way to a boardinghouse in tiny Lula, Alabama, a perceived safe haven she once visited with her late mother. Pursued by a mysterious car with a faded "I Like Ike" sticker, Jess is also haunted by memories of her mother's early death, her father's distressing marriage to Adam's mother, the loving bond she was able to form with Adam despite her initial resistance, and her boyfriend Sam's troubling letters from the thick of combat in the Korean War. In Lula, Jess finds, if only briefly, a respite among a curious surrogate family of fellow displaced outsiders banded together under one roof, and there she finds the strength to heed the call homeward to face the questions she cannot answer about her stepbrother's death.
Through her vibrant depictions of characters in crisis and of the lush, natural landscapes of her Southern settings, Cox brings to the fore the moral, ethical, and seemingly unnatural decisions people face when caring for society's weakest members. Grappling with the powerful bonds of love and family, A Question of Mercy recognizes the countless ways people come to help one another and the poor choices they can make because of love—choices that challenge the boundaries of human decency and social justice but also choices that can defy what is legal in the course of seeking what is right.
Jill McCorkle, a Dos Passos Prize–winning novelist and short story writer and the author of Life after Life, provides a foreword to the novel.
is the author of poetry and short story collections and four other novels: The Ragged Way People Fall out of Love, Night Talk (winner of the Lillian Smith Award and a finalist for the IMPAC Dublin Literary Award), Familiar Ground, and The Slow Moon. She has been recognized with the Robert Penn Warren Award and the North Carolina Fiction Award, and she has been inducted into the Fellowship of Southern Writers. Cox has taught creative writing at Duke University, University of Michigan, University of Massachusetts–Lowell, Tufts University, Boston University, MIT, Bennington College, and most recently at Wofford College, where she shared the John Cobb Chair with her husband, C. Michael Curtis, fiction editor for the Atlantic.