CIRCLE OF TRUST
by Jacqueline Simon Gunn
Series: Close Enough To Kill Series
Paperback: 376 pages
Publisher: CreateSpace Independent Publishing Platform (June 25, 2016)
Series: Close Enough To Kill Series
Paperback: 376 pages
Publisher: CreateSpace Independent Publishing Platform (June 25, 2016)
Why does love turn to murder? Jacqueline Simon Gunn is not your average thriller writer. Simon Gunn received her
Doctorate of Psychology in Clinical Psychology backed by years of
expertise in psychology began working firsthand with the criminally insane at Bellevue hospital.
Simon Gunn explores catathymia, or passionate homicide, one of the most paradoxical crimes, in
Circle of Trust, book two in the Close Enough to Kill Series.
Radio
psychologist Jacob Temple is found murdered in a most gruesome manner.
Soon after, the story of Jacob’s life unfolds as told by those
closest to him, particularly his ex-girlfriend Jane Light, who has been
stalking Jacob since the day he left her, 19 years ago.
Detectives
Poole and Gibbs are assigned to Temple’s murder case with Kadee
Carlisle, who happens to be mourning the murder of her boyfriend.
As Kadee gets deeper into the case, she struggles with conflicted
feelings about her past and present and the disturbing parallels to the
Temple case begin to surface.
As
the hunt for the killer ensues, a tragic love story and a plan for
vengeance unfold. As the fine line between facts and deception and
passion
and obsession blur, an important lesson is made clear:
Sometimes the closer you are to the truth, the harder it is to see.
_______________________________________________
Q&A with Jacqueline Simon Gunn, author of CIRCLE OF TRUST
1.) Can
you explain what the psychology term “catathymia” means and why you chose to
focus on this in your Close Enough to Kill series?
The theory was later expanded upon by other forensic theorists. One of the leaders in forensic psychology, J. Reid Meloy, used the cycle of catathymia to explain obsession, stalking and murderous acts toward someone the person has an attachment to. From this perspective, catathymia is a violent act resulting from some sort of rupture (real or perceived) within the relationship, and the victim is someone the perpetrator knows and feels attached to. In many cases, it is someone with whom the perpetrator had an intimate relationship with.
Criminality is a nebulous area. When trying to understand criminal acts, such as stalking and homicide, we need to look at underlying motivations. Murder is an act, nothing more. That is, the action itself really explains nothing psychologically speaking. If we want to understand why people commit murderers, we need to look at motivations. Catathymia explains motivation for intimate kills, murders committed against someone who is Close Enough to Kill, basically. I have been researching this for over twenty years, and remain fascinated. I decided to explore this through fiction to see what I could learn. And learn I did.
2.) Who are some of your favorite
thriller writers?
Gillian Flynn and Alison Gaylin
are my two favorite thriller writers. They both focus on characterization.
Although their plots are taut, the characters are multi-dimensional and drive
the story. I love that! I also love Stephen King, although he crosses genres.
His characterizations are brilliant. I feel like I know each one of them
intimately. 3.) You’ve said that you allowed the characters in this series to drive the story. What was that experience like?
Wanting to better understand motivations for intimate murders, I created characters, got into their respective heads, allowed them to drive the narrative. As I shift character point of view, I hear a different voice, my mannerisms change, and my emotions shift to match what’s going on in their story. In this way, I am often unsure what’s going to happen. As the characters develop and I go deeper into their hearts and minds, their motivations, the story unfolds, surprising me, and sometimes, disturbing me too. It helps me get to the answers I want about motivations: who the killer is, and who the next victim will be feels like a decision made by the characters, not me. This way, I have an intimate experience with a passion-driven killer and a privy look at motivations for murder.
4.) Can
you tell us more about your psychology background?
5.) What
advice would you give to someone who wants to start writing fiction?
6.) Who
is the most psychologically misunderstood character in literature?
7.) What
is the best writing advice that you’ve ever received?
The best advice would have to be
to keep writing even when the draft is crappy, which it will be. Changes are
made during rewriting once the story is down. This helped me finish my first
novel.
8.) Can
you tell us about the panel you were on at ThrillerFest this year?
All of us shared the importance of preserving our writers’ time and space, keeping to a schedule. Alcohol seemed to be the ‘flavor’ of choice when dealing with the inner voice of doubt that all writers have. Writing is exposing. Our inner selves are left open for inspection and judgment. This can slow down the process if we think about it too much. When in doubt, have a cocktail to quell the inner voice of uncertainty, it seems.
I actually use running to help me at all stages of the process. The commitment I learned from training for marathons taught me how to sit down every morning and write, no matter what. And when I feel discouraged, doubtful – wondering if I have a right to write, or anxious about the reviews that are coming, I run. Personally, I found the panel helpful. Hearing other writers, particularly those who have been at it longer than me, talk about the same dilemmas I struggle with, reassured me.
9.)What
is the most unexpected thing that you’ve learned after researching passionate
homicide?
The most unexpected is also
perhaps the most disturbing: When it comes to murders driven by passion, the
ability to predict criminality is poor. Meaning, many of these crimes are
committed by individuals who have no history of abuse, no history of previous
criminal activity, no substance abuse history. When we look for something,
anything to make the motivation to kill make sense, it turns out to be complex
and internal psychological reasons – things that aren’t obvious or quantifiable,
rather than concrete environmental predictors. This begs the question Kadee, my
protagonist, asks her professor in Circle
of Trust: “Is anyone capable of murder?” His answer is “Yes.”
10.) What
are you working on next?