This is a fantastic collection of all that is Ron Rash. It has poems, short stories, non-fiction pieces, excerpts from novels and a selection of "uncollected stories". You can dive into this book in one giant leap, or leave it by the bedside for a story a night.
This really is a lovely compilation of stories from a wonderfully diverse author - it shows off all of his talented writing abilities. Many writers are locked into one style of writing, but not Ron.
I started toward the back of the book, with Uncollected Stories. By the first page of the first story, Outlaws, I was hooked.
Perfect book for the Ron Rash enthusiast, or simply someone who enjoys a good story.
The Ron Rash Reader
Edited by Randall Wilhelm
An exemplary sampling of poetry and prose from the internationally acclaimed writer of the Southern experience
The Ron Rash Reader is a collection of essential works that covers the full range of Rash's career to date, from his first published collection of stories, The Night the New Jesus Fell to Earth: And Other Stories from Cliffside, North Carolina (1994), to Nothing Gold Can Stay: Stories (2012) and includes previously unpublished material as well. Edited by Randall Wilhelm, this collection of more than sixty of Rash's writings demonstrates his remarkable breadth and vitality—from short stories and verse to novel excerpts and nonfiction—comprising a best-of volume for new readers and established aficionados alike.
Arranged chronologically and by genre, the collection highlights the evolution of Rash's craftsmanship and of his major themes, revealing the rich tapestry of expanding interests that transcend genres. Wilhelm's introduction offers a biographical and critical guide to Rash's work as well as insightful discussion of the writer's most crucial themes and techniques, including his use of traditional and nontraditional poetic and literary forms; of different narrative strategies, story forms, and character voices; and of landscape and historic settings. Readers can see for themselves in one volume how Rash continuously returns to his deepest concerns for greater and greater effect, concerns that begin with his early poetry and stories and persist into his most recent works.
is an assistant professor of American and southern literature at Anderson University. He has published numerous critical essays on American, southern, and Appalachian writers, and his work has appeared in the Faulkner Journal, Mississippi Quarterly, Cormac McCarthy Journal, Southern Quarterly, Appalachian Heritage, and Hemingway Review, among others.