Tuesday, April 28, 2015

Find the Good

Idgie Says:
What a sweet book.  Not sweet in a twee way, but just filled with love and promise and.... well, finding the hope.  I teared up at more than a few of the stories.  But teary with a smile ended those chapters.  

Heather, an obituary writer in a small Alaska town where everyone knows each other and looks out for each other - well, she works hard to find the good in everyone. 

From her obituaries where the only good thing she could find was "She kept a clean stove", to the unexpected death that caused, voluntarily, the entire town to give up a day's livelihood to make sure the almost grown children made it home safely after a father falls overboard, then gathering together to raise funds to create safety gear for the fisherman,  these stories are sharp and alive and life affirming.  

This is not just a slim book of obituary stories - these are stories of her family, her friends and her town.   The book makes you feel a lot and think a little harder about just relaxing a tad and enjoying life a bit more.  

_____________________________________

Find The Good
Heather Lende
Algonquin Press
April 2015

 As the obituary writer in a spectacularly beautiful but often dangerous spit of land in Alaska, Heather Lende knows something about last words and lives well lived. Now she’s distilled what she’s learned about how to live a more exhilarating and meaningful life into three words: find the good. It’s that simple--and that hard.

Quirky and profound, individual and universal, Find the Good offers up short chapters that help us unlearn the habit--and it is a habit--of seeing only the negatives. Lende reminds us that we can choose to see any event--starting a new job or being laid off from an old one, getting married or getting divorced--as an opportunity to find the good. As she says, “We are all writing our own obituary every day by how we live. The best news is that there’s still time for additions and revisions before it goes to press.”

Ever since Algonquin published her first book, the New York Times bestseller If You Lived Here, I’d Know Your Name, Heather Lende has been praised for her storytelling talent and her plainspoken wisdom. The Los Angeles Times called her “part Annie Dillard, part Anne Lamott,” and that comparison has never been more apt as she gives us a fresh, positive perspective from which to view our relationships, our obligations, our priorities, our community, and our world.

An antidote to the cynicism and self-centeredness that we are bombarded with every day in the news, in our politics, and even at times in ourselves, Find the Good helps us rediscover what’s right with the world.

A Week at the Lake Shout Out, Excerpt and Giveaway

 A note from Wendy Wax on her new book, A Week at the Lake:
A WEEK AT THE LAKEWe’re only part way through spring and I’m already counting the days until summer. Not just because it’s one of my favorite seasons but because I’m so excited about the
June 23rd release of A Week at the Lake.

I had such fun writing this reunion of three friends who met in New York twenty years ago and whose lake retreats at the cottage of a famed Millionaire’s Row estate in the Adirondacks brought them together each year. That is until they abruptly ended and the ties that bound them frayed.

As I sat at the computer thinking about their friendship—how it began, why it grew and how it supported them through the years—I thought about the wonderful women friends I made during my twenties. And I “heard” myself thinking “let them eat cake.” I wasn’t trying to go all Marie Antoinette or whomever we’ve actually been misquoting all these years. I was remembering my roommates and how we’d celebrate our birthdays with cake and presents for breakfast before heading off to work. I introduced this ritual to the man I married and to our children. Nothing’s sweeter or more decadent than starting a day off with birthday cake. It’s a tradition I always look forward to. And one I’ve bequeathed to my characters Emma Michaels, Mackenzie Hayes and Serena Stockton.

_______________________________________

In honor of eating cake for breakfast and to remind everyone that A Week at the Lake is available for pre-order,  I’m giving away a memento of cake, friends and celebration— this Kate Spade coffee mug  and a $25 Starbucks  gift card to use to fill it. The cake that accompanies it is up to you. (I highly recommend chocolate!)

Enter the contest HERE.

Read an excerpt HERE.

P.S.  The trade paperback edition of A Week at the Lake includes a bonus— my e-novella Christmas at the Beach, in print for the very first time.

The Jumbies

 Idgie Says:  
Algonquin has put a lot of time and effort into the release of this wonderful little "Horror" novel appropriate for children, and it shows.  Intelligently written, never acting as if the kids reading the book will be ignorant and slow to follow.  This novel contains a strong female heroine but one with enough pals of both sexes, filled with resilience and smarts that it makes a good, uplifting read for boys and girls.

Below I have fun links showing Jumbies in all their forms and a character run down of who you will find in this book.  This is a great book to read with your kids in the upcoming warm months.....while camping out in the dark woods.  (evil laugh here)  Watch out for those Jumbies!


____________________________________________________________

Algonguin Young Readers
April 28, 2015
Ages 8 to 12


A field guide to Jumbies - Click Here.

The Cast of the Book - Click here.

A spine-tingling tale rooted in Caribbean folklore that will have readers holding their breath as they fly through its pages.

Corinne La Mer isn’t afraid of anything. Not scorpions, not the boys who tease her, and certainly not jumbies. They’re just tricksters parents make up to frighten their children. Then one night Corinne chases an agouti all the way into the forbidden forest. Those shining yellow eyes that followed her to the edge of the trees, they couldn’t belong to a jumbie. Or could they?

When Corinne spots a beautiful stranger speaking to the town witch at the market the next day, she knows something unexpected is about to happen. And when this same beauty, called Severine, turns up at Corinne’s house, cooking dinner for Corinne’s father, Corinne is sure that danger is in the air. She soon finds out that bewitching her father, Pierre, is only the first step in Severine’s plan to claim the entire island for the jumbies. Corinne must call on her courage and her friends and learn to use ancient magic she didn’t know she possessed to stop Severine and save her island home.

With its able and gutsy heroine, lyrical narration, and inventive twist on the classic Haitian folktale “The Magic Orange Tree,” The Jumbies will be a favorite of fans of Breadcrumbs, A Tale Dark and Grimm, and Where the Mountain Meets the Moon.

Sunday, April 26, 2015

Horses and Romance - what could be better!?!?



The Aspen Valley Series:

The Kentucky Derby is just one week away and it's the perfect time to read a series of books that combine romance and horses -  Thrown, Jumped, and Branded in Colette Auclair’s award-winning Aspen Valley series! 

All available  as ebooks now.  

I read through the books and they have a nice chunk of romance mixed in with true horse facts and actions.

________________________________________________________________

Description: CoverTHROWN (December 2013; $5.99) is the first book in The Aspen Valley Series.  Professional horse trainer Amanda Vogel dreams of riding jumpers in the Olympics, but after seeing her best friend die in a riding accident, she’s so traumatized she can’t compete. Broke and desperate, she takes a summer job in Aspen teaching some big-shot widowed movie star’s spoiled daughters to ride—and braces herself for three miserable months. But the movie star is funny, down-to-earth, and gorgeous—and his spoiled daughters are just desperate for a mother figure. By Labor Day, she has to choose between capturing a gold medal…and the man who has captured her heart.

Description: CoverJUMPED (August 2014; $5.99), the second book in The Aspen Valley Series, is Colette Auclair’s steamy sequel to her “page-turning debut” (Library Journal), Thrown. A young woman in the equestrian fashion business finds herself head over heels for her ex-husband.  Thoroughly enjoying herself at her best friend Amanda’s wedding, Beth is shocked when she is seated next to her ex-husband, Finn, at the reception. Determined to not let this fluster her, Beth strikes up a conversation only to learn Finn isn’t the same man she walked away from. 

Relieved the reception is over, Beth is looking forward to a relaxing weekend against the beautiful backdrop of sunny Aspen at Amanda and Grady’s estate.  Little does she know Finn will be partaking in the weekend activities.  But just as Beth decides to keep as much distance between her and Finn as possible, Finn has a terrible accident and Beth is stuck being his bedside nurse.  Over the course of the weekend, Beth and Finn discover that the wounds of their failed marriage are not all that’s left. There are sparks…and hope. But just as they decide to give it another try, Finn confesses a huge secret that could destroy everything he’s fought to get back—Beth, their relationship, and another chance at love.  Will Beth turn away, or will she take a leap of faith and say “I do” once (again) and for all? 

Description: CoverBRANDED (December 2014; $5.99), the third book in The Aspen Valley Series, will take readers on a wild and dreamy ride through the beautiful valleys and mountains of Colorado.  Professional, polite, and pearl-wearing, dressage rider and resort consultant Cordy Sims is the last person anyone would expect to initiate a weekend of debauchery. And yet, that’s exactly what she does after meeting a handsome stranger at an Aspen resort. Agreeing that they’ll leave personal details at the door, they indulge in a memorable weekend of carnal recreation. On Sunday night, Cordy doesn’t want to leave this charming, seductive man, but she must play by her own rules.

On Monday, Cordy sits in a meeting at the ad agency that’s hired her as a freelancer, and her professional and personal worlds collide. Turns out agency owner Jack Cormier looks just as good in the boardroom as he did in the bedroom. Forced to work together, Cordy and Jack can’t ignore the chemistry that crackles between them, or the deeper feelings that have developed. But secrets and scars from their pasts may prove too formidable, even for a love that’s as powerful as it is unexpected. 

Praise for The Aspen Valley Series:

“The story portrays two convincingly flawed but likeable characters who find each other’s aults both provocative and exciting, as they try to decide whether a second chance at marriage is worth the risk.”
Publishers Weekly on Jumped
“Harris, the Brunswicks’ chef, is a clairvoyant Cupid, full of honest evaluations of people and their love lives. He adds a spark to the story as Auclair continues to build her cast of series characters and develop their varied personalities.”
—Library Journal on Jumped
In JUMPED, the author returns to the Aspen area with many of the same characters that were in her well–received debut novel, THROWN…Major and minor characters are interesting and likable, and the friendships add to the primary romance. There will be at least one more book in the series. Look for BRANDED to release in December. If you like horses, a tangled relationship, and a series that flows from one book to the next, check out these titles.”
—Romance Reviews Today on Jumped
“If you’re looking for a highly entertaining, fast-paced, horsey beach read, Jumped should fill the bill.”
—Horse Nation on Jumped

“There is enough tension among all the forces at play to keep the pages turning. Debut novelist Auclair is a 2012 Romance Writers of America Golden Heart Finalist, winner of the 2011 Winter Rose Contest, and a finalist in the 2011 Cleveland Rocks Romance Contest.  Recommended for most romance fans.”
—Library Journal on Thrown

“Romantic fiction with an equestrian theme gets a fun new twist in this novel which follows trainer Amanda Vogel… the star is single, handsome, and has the hots for Amanda. But both characters are carrying hefty loads of their own baggage, and as they navigate through various dramas and horse-related mishaps, the layers (both physical and psychological) start to come off. Thrown weaves horses into the story with a practiced tone, and the accuracy of equine knowledge and horse people adds to the plot. For a fun, entertaining read, be sure to pick up this debut novel by Colette Auclair.” 
Horse & Style on Thrown

Totally accurate, as far as HorseGirls go…Colette Auclair nails the horse stuff…whether it’s describing Amanda’s selection of appropriate mounts for Grady’s beginner daughters, or setting up a human cross-country course for the girls to play Olympics over, or accurately detailing an episode of colic (including the joy when the horse finally poops), or explaining the feeling of connecting with a once-in-a-lifetime horse…my favorite part about the book, aside from the discussions of how horse training prepares just about anyone for human training…is the humor…Aside from getting the horse stuff right, the characters are also well-developed…The story is quite a page-turner, so be prepared to be completely unable to stop–like a runaway horse except actually fun.  And the book does have one pretty detailed sex scene and multiple explicit make out sessions, so it’s not for kids. Bottom line: if you like romantic comedies, you’ll definitely enjoy Thrown.”
Horse Nation on Thrown
Description: Colette Auclair headshotColette Auclair has been a copywriter for more than twenty years.  She’s ridden and shown horses since she was ten and owns a lovely twenty-year-old Thoroughbred mare.  Thrown, her first novel, was a 2012 Golden Heart finalist in the single-title contemporary romance category.  It also won the 2011 Winter Rose Contest (Yellow Rose Romance Writers) and finaled in the 2011 Cleveland Rocks Romance Contest (NE Ohio Romance Writers Assoc.)  Jumped is second and Branded is third in the Aspen Valley series.  Please visit coletteauclair.com.

Friday, April 24, 2015

Orhan's Inheritance

Idgie Says:
I have not yet had a chance to read this book, but it's on my DRTB (Definitely read this book) pile.

I wanted to share with you a few tidbits regarding the author and the book.  

Click on the two links below for more info on the book and Aline herself.
 __________________________

An NPR interview and a book Excerpt.

__________________________

Orhan's Inheritance Bridges the Gap

Today is the commemoration of the 100th anniversary of the Armenian Genocide. With all areas of international attention  from Pope Francis to Kim Kardashian centered on Armenia, we are proud to publish Orhan's Inheritance by Aline Ohanesian. Novels like this one help us all understand the unimaginable, give us a way to think about the unthinkable, and provide a path for connecting with others.

"There's only about about 6 to 8 inches between an open book and a human being's heart," Aline told NPR's Lynn Neary on "Weekend Edition."

And her book is bridging that gap, helping readers connect and understand beyond death tolls and politics. After all, Orhan's Inheritance was born from a very personal story, one Aline's great-grandmother told her. 

Already the #1 Indie Next Pick for April and an Amazon Editors' Featured Debut for the month, Orhan's Inheritance will make the headlines and the history feel like your own family story. 

______________________________________

Go HERE to learn more about Algonquin's new releases. There are excerpts, interviews and giveaways all throughout the newsletter!  

Monday, April 20, 2015

Affair & Honor

Idgie Says:
Batt is just plain fun to read.  His sentences (and characters) ooze sarcasm and charm at the same time.  His use of combining certain phrases and wording create a lively flow of rambling and buoyant narrative that grabs from page one. Take a dash of Batt's word art and a pinch of a good story and you have a fine recipe to settle in with for a while. 

I have always admired John F. Kennedy.  After having him come to life in the pages of  this novel and reading about his time at sea, performing continued acts of heroism, I not only admire him, but I like him and want to hang out at a BBQ with him.  

This novel isn't just about how likable and wonderful JFK was.  It has the complete package to keep you going.  Intrigue, possible spies, strong women, WWII and it's heroes.  Newspaper reporters, Hoover and his antics (seriously, there are antics...), Hollywood stars, backstabbing, and any number of other fascinating events to keep you hanging on to the pages. 

This is a book filled with action and events, nary dry page to be found.  A great novel to lose yourself in for a while. 

Oh, and if you ever meet Batt in real life, I'm pretty sure Sam is him. ;) 

 _______________________________

Yellow Dog Press
May 15, 2015

Book Description:
In the spring of 1942 the nation is at war. A young ensign is in trouble. He’s in Naval Intelligence and he’s been banished to a small southern base because of a scandalous affair with a suspected spy that has drawn the attention of the F.B.I. and the White House. She is a beautiful Dane who once knew Hitler. He is the son of an ousted ambassador. Jack Kennedy is caught between love, and a hard place.

Kennedy struggles between the conflicts of his affair and his drive to join the war in combat. Young, smitten, sick and sidelined he watches while his friends take the path to glory and his father conspires to keep him safe. Young Jack works his own schemes and lands in the South Pacific.

Based on the true story, Affair & Honor reprises one of the most incredible tales of battle, destruction and survival in World War Two. It also brings to a new audience the story of a young man, who risked life and fortune, to fight for his crew and his country.

Two Kennedy brothers went to war. Only one survived to become President of the United States.

Some Great Titles Releasing in April!

Idgie Says:
My mailbox has been very busy receiving books these days and while I adore each and every one, I don't always have time to read them all before they come out for release.  So in an effort to get the word out about these books in a timely manner, I'm short-cutting a bit and giving shout-out to the following books.  I am not saying I will not have a full review a bit later down the line, but if so, it will be after release date.  Meanwhile, take a few minutes, peruse the books I'm presenting and see if any grab your attention for purchase.  

The first two are from Algonquin and you know how I adore that Press - always fine quality novels from them and I fully intend to read both - as soon as I can come up for reading air.  

The last book is from USC Press, and they too have really moved strongly into pushing different, interesting and quality filled books into reader's hands.  

Below are book descriptions on all and all released in April. 

___________________________________________

In her extraordinary debut, Aline Ohanesian has created two remarkable characters — a young man ignorant of his family’s and his country’s past, and an old woman haunted by the toll the past has taken on her life.

When Orhan’s brilliant and eccentric grandfather Kema l— a man who built a dynasty out of making kilim rugs — is found dead, submerged in a vat of dye, Orhan inherits the decades-old business. But Kemal’s will raises more questions than it answers. He has left the family estate to a stranger thousands of miles away, an aging woman in an Armenian retirement home in Los Angeles. Her existence and secrecy about her past only deepen the mystery of why Orhan’s grandfather willed his home in Turkey to an unknown woman rather than to his own son or grandson.

Left with only Kemal’s ancient sketchbook and intent on righting this injustice, Orhan boards a plane to Los Angeles. There he will not only unearth the story that eighty-seven-year-old Seda so closely guards but discover that Seda’s past now threatens to unravel his future. Her story, if told, has the power to undo the legacy upon which his family has been built.

Moving back and forth in time, between the last years of the Ottoman Empire and the 1990s, Orhan’s Inheritance is a story of passionate love, unspeakable horrors, incredible resilience, and the hidden stories that can haunt a family for generations.


No. 1 Indie Next Pick for April
Amazon Editors’ Featured Debut for April
A Summer 2015 Barnes & Noble Discover Great New Writers Selection

___________________________________________________
Roe_MiracleGirl_HC_jkt_LR 

Author Essay
A multi-faceted, multi-voiced debut novel that is at the same time personal and heartfelt-chronicling a family in flux, trying to find their individual and collective way-and also tells a larger, cultural story, one of our time, of how we live and hope and dream now.

A car accident has left young Anabelle Vincent in a coma-like state-unable to move or speak. Her mother spends her days and nights taking care of her frozen child, but Anabelle’s father has left: unable to cope, broken under the responsibility of having been the car’s driver. Then, one day, a visiting friend experiences what seems like a miracle. She thinks it’s because of Anabelle. Word spreads. There are more visitors. More miracles. But is there a connection? And does it matter? Will Anabelle ever wake up, and if she does, will the miracles cease?

Andrew Roe has crafted an intricate story, told by Anabelle, her parents, and the visitors, who include neighbors, a priest, the affluent and the downtrodden. What becomes clear is that life’s cruelties show no prejudice, but becoming a believer-in something, anything, even if you don’t understand it-can bring salvation.

More than a novel about a family in crisis, The Miracle Girl tells a larger cultural story, of how we live and hope and dream.

____________________________________________
book jacket for Off the BooksOff the Books
On Literature and Culture
J. Peder Zane

An exploration of American culture and politics through the literary lens of a book review editor.

Head "off the books" in this collection of newspaper columns, where J. Peder Zane uses classic and contemporary literature to explore American culture and politics. The book review editor for the Raleigh, North Carolina News & Observer from 1996 to 2009, Zane demonstrates that good books are essential for understanding ourselves and the world around us. The columns gathered in Off the Books find that sweet spot where literature's eternal values meet the day's current events. Together they offer a literary overview of the ideas, issues, and events shaping our culture—from 9/11 and the struggle for gay rights to the decline of high culture and the rise of sensationalism and solipsism. As they plumb and draw from the work of leading writers—William Faulkner, Knut Hamsun, Eudora Welty, Don DeLillo, Lydia Millet, and Philip Roth among others—these columns make an argument not just about the pleasure of books, but about their very necessity in our lives and culture.

J. Peder Zane was the book review editor and books columnist for the News & Observer of Raleigh, North Carolina, for thirteen years. His writing has won numerous national honors, including the Distinguished Writing Award for Commentary from the American Society of Newspaper Editors. Before joining the News & Observer, Zane worked at the New York Times. A former board member of the National Book Critics Circle and current chair of the Department of Journalism and Mass Communication at St. Augustine's University in Raleigh, Zane is the editor of and has contributed to Remarkable Reads:34 Writers and Their Adventures in Reading, and The Top Ten: Writers Pick Their Favorite Books and is coauthor of Design in Nature.





Friday, April 17, 2015

Win a ticket to a NYC Book Launch Party - transportation not provided



TRANSPORTATION TO NEW YORK NOT PROVIDED.

 I have an exciting offer for you and your blog readers.  A luxury flagship 5th Avenue retailer is hosting aexclusive launch party for Elyssa Friedland's debut novel Love and Miss Communication on May 12th in New York City.  See the book featured here in Cosmopolitan.  You or your readers could win a ticket to attend. Here's how!

1. Follow Elyssa on Twitter (@ElyssaFriedland)
2. Like Elyssa's Facebook page (/AuthorElyssaFriedland)
3. Ask Elyssa a question on Twitter using the hashtag #AskElyssa
4. Email giveaways@wunderkind-pr.com and provide your Twitter handle and Facebook name in your email
5. Cross your fingers!

After you complete the above, you will be entered to win an exclusive ticket to a private book launch party and a free copy of Love and Miss Communication. You must be 21 years or older to enter. All tasks must be completed by May 4th, 2015. Transportation is not provided. Tickets may not be sold to the public. Winners will be notified by May 5th, 2015 via email.

Dress to impress for this swanky, sophisticated party!

Thursday, April 16, 2015

The Queen of the Tearling

Idgie says:
This novel appears to take place in the Medieval period of Earth but actually is 300 years after our way of life ended and the world has reverted back to the time before electricity.   It does have magic, political intrigue and The Court in it, so it's not apocalyptic but more King Author in nature.

Film rights have been grabbed and Emma Watson attached to said possible film. 

The next book in the series, The Invasion of the Tearling, will be out in June, 2015.

__________________________________________________

Now in Paperback
April 14, 2015
Harper Paperbacks

Magic, adventure, mystery, and romance combine in this epic debut in which a young princess must reclaim her dead mother’s throne, learn to be a ruler—and defeat the Red Queen, a powerful and malevolent sorceress determined to destroy her.

On her nineteenth birthday, Princess Kelsea Raleigh Glynn, raised in exile, sets out on a perilous journey back to the castle of her birth to ascend her rightful throne. Plain and serious, a girl who loves books and learning, Kelsea bears little resemblance to her mother, the vain and frivolous Queen Elyssa. But though she may be inexperienced and sheltered, Kelsea is not defenseless: Around her neck hangs the Tearling sapphire, a jewel of immense magical power; and accompanying her is the Queen’s Guard, a cadre of brave knights led by the enigmatic and dedicated Lazarus. Kelsea will need them all to survive a cabal of enemies who will use every weapon—from crimson-caped assassins to the darkest blood magic—to prevent her from wearing the crown.

Despite her royal blood, Kelsea feels like nothing so much as an insecure girl, a child called upon to lead a people and a kingdom about which she knows almost nothing. But what she discovers in the capital will change everything, confronting her with horrors she never imagined. An act of singular daring will throw Kelsea’s kingdom into tumult, unleashing the vengeance of the tyrannical ruler of neighboring Mortmesne: the Red Queen, a sorceress possessed of the darkest magic. Now Kelsea will begin to discover whom among the servants, aristocracy, and her own guard she can trust.

But the quest to save her kingdom and meet her destiny has only just begun—a wondrous journey of self-discovery and a trial by fire that will make her a legend . . . if she can survive.

Wednesday, April 15, 2015

Diamond Head

Idgie Says:
This is one of my favorite types of novels - one where you get a good dose of historical fact about places you've never been to and cultures you are unfamiliar with.  Educational reading wrapped around a good plot.  You learn more about the world without working at it.  

______________________________________

April 14, 2015
Harper

Frank Leong, a prominent shipping industrialist and head of the celebrated Leong family, brings his loved ones from China to Hawaii at the turn of the twentieth century, abandoning his interests at the Port of Tsingtao when the Japanese invade.

But something ancient follows the Leongs to the islands, haunting them – the parable of the red string of fate. According to Chinese legend, the red string – the cord which binds one intended beloved to her perfect match – also punishes for mistakes in love, twisting each misstep into a destructive knot that passes down the family line. When Frank Leong is murdered on Oahu, his family is thrown into a perilous downward spiral.

Left to rebuild in their patriarch’s shadow, the surviving members of the Leong family attempt a new, ordinary life, vowing to bury their gilded past. Still, the island continues to whisper—fragmented pieces of truth and chatter, until a letter arrives two decades later, carrying a confession that shatters the family even further. Now the Leongs' survival rests with young Theresa, Frank Leong’s only grandchild.  Eighteen and pregnant, Theresa holds the answers to her family’s mysteries, left to carry the burden of their mistakes.

On the day of her father’s funeral, as the Leongs gather to mourn the loss of their first born son, Theresa must decide what stories to tell, who to side with, and which knots will endure for another generation.

Told through the eyes of the Leongs' secret-keeping daughters and wives and spanning The Boxer Rebellion to Pearl Harbor to 1960s Hawaii, Diamond Head is an exploration of whether or not there’s such a thing as a legacy of the heart. Passionate and devastating, it is filled with love, lies, loss, and, most astounding of all – hope.

Tuesday, April 14, 2015

Selection Event


Idgie Says:

I came across this book on my own while scrolling through Amazon one day about 4 years ago.  Self published, ebook only, post apocalyptic.  NO ZOMBIES!  While on the car ride to the beach last week I found myself reading it again.  Any book that I read twice deserves a shout out I believe. 

The cover DOES NOT match the book itself - looking at it you are led to believe there are zombies and such, not just a flu victim.  

As stated in the Book Description below, (which I did not read before starting the book or the review, but did give validity to my thoughts) this represents to me a modernized version of Earth Abides.  I disagree with the description in that it also follows The Road - it is nothing like that very well written but horrifically sad and empty of hope novel.

It follows closely the premise of that book - a flu wipes out most of civilization, but one man was in seclusion and comes out to find the world completely changed.   Will they survive in this new age, or will they quickly devolve into primitives? Luckily, the ending is a little lighter than Earth Abides, which depressed the heck out of me. 

The characters are strong and alive. Most are fully fleshed out and while some of the premise goes off course, it is fiction and therefore I believe allowed. There is even a dog who is full of life, thoughts, caring and quite likable.  It does have editorial issues, but the book was interesting enough that I overlooked them. 


If you like this type of book, I suggest you give this one a shot.

Amazon Link HERE

Book Description:
In an isolation experiment, Martin Lake had been below-ground for fourteen months and two weeks. He came up on May 30, Wednesday, 11:35 AM. He discovered that civilization had folded its arms across its breast, closed its eyes, and ceased.

When natural selection wipes the slate, there are always a few survivors. Unfortunately, nature does not select for beauty or intelligence.

Selection Event follows in the tradition of Earth Abides and The Road. In the aftermath of the catastrophe, this is what happens next. People open zoos, sabotage dams, and in a final nihilistic fling, several countries have a small nuclear exchange of greetings.

It is into this that Martin Lake awakens and has to find his way.

How I Shed My Skin, Unlearning the Lessons of a Racist Childhood

how-i-shed-my-skin-siteApril 14th, 2015
Algonquin Books

Idgie Says: A novel that makes you think.  I remember having so many "rules" going to school in the deep South.  The unspoken rules that both sides of the color wheel had to follow to keep the peace.  I went to school after integration, but it was still firmly "separation".  

Luckily, my Daddy didn't believe in rules, and raised me in the same vein - bringing a whole other set of issues with it, but in my mind - good ones. 

___________________________________________________

“White people declared that the South would rise again. Black people raised a fist and chanted for Black Power. Somehow we negotiated a space between those poles and learned to sit in classrooms together . . . Lawyers, judges, adults declared that the days of separate schools were over, but we were the ones who took the next step. History gave us a piece of itself. We made of it what we could.” —Jim Grimsley

In August of 1966, Jim Grimsley entered the sixth grade in his small eastern North Carolina hometown. But this year marked a significant shift in the way the people there — especially the white people — lived their lives. It was the year federally mandated integration of the schools went into effect, at first allowing students to change schools through “freedom of choice,” replaced two years later by forced integration.

For Jim, going to one of the private schools that almost immediately sprang up was not an option: his family was too poor to consider paying tuition, and while they shared the community’s dismay over the mixing of the races, they had bigger, more immediate problems to face.

Now, more than forty years later, Grimsley, a critically acclaimed novelist, revisits that school and those times, remembering his personal reaction to his first real exposure to black children and to their culture, and his growing awareness of his own mostly unrecognized racist attitudes.

How I Shed My Skin is honest, unflinching, and deeply moving, an important work that takes readers inside those classrooms and onto the playing fields as, ever so tentatively, alliances were forged and friendships established, while all around them the adults found it impossible to accept the changes being wrought. And as we mark the fiftieth anniversary of this turbulent time, Grimsley asks, how far have we really come?

__________________________________________________________

 


A Note from Jim Grimsley
author of HOW I SHED MY SKIN: Unlearning the Racist Lessons of a Southern Childhood



I have been watching episodes of Dragnet lately, the TV series from the late 1960s, a comforting view of the Los Angeles police department that appears, in retrospect, much like propaganda. On the show, Detective Joe Friday was prone to giving lectures on decency and morality. He narrated each episode in simple speeches from which most emotion had been subtracted, and shamed criminals into changing their ways through his sheer dull righteousness. Just the facts, Friday would remind the people he interviewed. Just the facts.
“The story you have seen is true.” Each episode ended with this phrase, along with, “The names have been changed to protect the innocent.” Afterward would come the reading of the trial verdict, while on screen the criminal stood as if posing for a mugshot, uncomfortable and chagrined.
In real life, during the same decade as that show, in a small North Carolina town I lived through school integration, and, in attempting to write the story of that time, I have reminded myself of Sgt. Friday’s admonition of serving up just the facts, and that’s what I have done, as best I can recall them. I, too, have changed the names of those involved in the story, though my goal is to protect people whom I would describe as neither guilty nor innocent. “Good people,” I will call them, all of them, whether black or brown or white.
I was entering the sixth grade in 1966 when the system of segregated education for whites and blacks began to crumble. Through the first years of integration that followed, I experienced firsthand the change that saw the end of separate school systems and the subsequent flight of white students to private schools, what one might call the privatization of segregation.
My hometown was hardly extraordinary, certainly neither better nor worse than any other part of the country. It had a checkered history, of course: one part of the community had once held the other part as slaves, and Jones County had endured lynchings, murderous gangs, and a war. No, the placid, quiet façade the town presented could not be taken at face value. It would be easy to say I had no awareness of the various tensions around me, had no sense of what parts of our society were broken, no understanding of old wounds, still festering decades later. In truth, it would be more accurate to say that I accepted these aspects of my home as a given and had little notion of their import. I knew the facts, but was ignorant of the world they shaped.
During my childhood, as I read science fiction novels and listened to 45 rpm records, the white adults around me fretted that soon we would have to share restaurants and bathrooms with black people. They blamed it on something called integration. Now, as an adult, I realize that we white people who dominated the nation were forced to confront the fact that we had collectively, systematically, and violently denied the equality of non-white people in general, and of black people in particular, throughout our existence. At the time, however, I hardly understood the outlines of what was happening, and only could see that the change was unsettling to all the people I knew.
All this remained abstract to me until African-American students started attending my elementary school. Suddenly the world came into focus, and I began to understand.
I set out to write a book covering that era because of what I learned about myself and my town in the subsequent years. The core of the story I’ve written is my own, my evolution from bigot to recovering bigot. In my early life, from otherwise good people, I learned harsh prejudice against African-Americans, supported by a carefully constructed system of racist laws. The ideas that supported segregation began to collapse inside me once I met black people and began to understand their conception of justice and injustice. In coming to terms with the black students who became first my schoolmates and later my friends, I was doing the work of the era, same as everyone around me.
The story of the 1960s has a feeling of allegory in some ways, the decade beginning with the shadow of nuclear doom, followed by a massive surge of people-driven movements that unsettled the country at all levels. People were marching, sitting-in, rioting, boycotting, striking. As I aged, the story began to clarify. People were rising up and demanding an end to what was politely termed discrimination, but was actually the leftover bondage from slavery, a state that had never entirely ended even though the law freeing slaves had been on the books for a century. Women were coming to understand that their lives were driven by the men around them, making of them a kind of chattel, too. Gay and lesbian people were wakening to a sense that another kind of life, out of the closet, might be possible. Young people, old people, people of all colors, took to the streets, sometimes in violence and sometimes in peace.
What happened in my hometown was a ripple outward from one of those waves of people. The Civil Rights movement insisted on integration of society and an end to racially separate schools, something the Supreme Court had ordered years before, but which was only becoming reality in my school in 1966. So the drama unfolded. For the first time, two racially different sets of children walked into the same school, strangers though they had lived side by side all their lives. Real change had finally begun.
A person can be misguided, can act from impulsive motives, can give in to baser temptations, or bear a tragic flaw, but at heart that person can still be “good.” But can a good person be a racist? Does goodness survive that terrible flaw?
From my own experience I can answer that the people I knew in Jones County, racist all of them, were undoubtedly good. There were people who helped my family and me directly, sometimes financially, more often with acts of kindness. Their goodness was visible and could not be denied.
But the story I am telling is about my own racism, the lore of inferiority in black people that I was taught to think of as fact from as early as I can remember. I was born into a racist society, and though I thought of myself as a “good” person, I was as much a racist as anyone I knew.
Why would one label oneself with this word, racist? To show that it can be done and survived; to show that it’s not so hard to admit this failing; but mainly to move past it. If I do not recognize that I have these prejudices programmed into me, and therefore do not act against it, what further harm will I do?
Our goodness, of course, is only part of us, and there are limits to it, and borders around it. The white people in Jones County whom I knew as friends and revered as teachers and elders hardly seemed the kind who might take part in a lynching, and yet they or their ancestors – or me or my ancestors, all of who surely were good people – had done exactly that. Some of my relatives were no doubt burning crosses in the present day. Though granted a certain level of education, they remained ignorant when it came to anyone or anything outside their ken, and most especially someone of a different color and culture. These truths, too, are just the facts.
In my hometown we continued to whisper the same falsehoods about African-Americans years after we should have known better. But facts can change, and some of us did change during those years. Black and white, we met at school and recognized fundamental commonalities in one another. A force as powerful as prejudice against a stranger is never entirely erased, but some of us took a step forward, and then another. While federally mandated integration failed to end our differences, it gave some of us the gift of finally knowing each other, of even becoming friends.
For me, that change began on a late summer morning many years ago, in a classroom with a high ceiling and rows of fluorescent lights. I thought I was ready for the school year to begin, when into my sixth grade classroom walked three girls who had decided to change the world.

Thursday, April 9, 2015

University of South Carolina Press Upcoming Titles

Ya'll keep your peepers out for these upcoming books from USC Press - July and August release dates.


Mary Heard's book of short stories comes out in July and I really enjoyed her slimmer book of stories, "Soon", (review coming shortly) so I am also excited about "A Clear View of The Southern Sky".  One of the stories in this book is "Seam Busters", a novella that I have reviewed earlier.  The review can be found HERE.

More details from the Dew to follow soon!

Wednesday, April 8, 2015

Game On

Idgie Says: 
A fun, slim novel to escape into for a few hours.  If you like it, there's several more books in the series coming out shortly!

_________________________________

Out of the gates with GAME ON!  Now only $1.99 from April 6th – 20th!

Part caper, part romantic comedy, the hilariously entertaining book GAME ON by Gabra Zackman is first in the Bod Squad series, featuring a sassy and sexy undercover operative, Susannah “Legs” Carter, and her Ocean’s Eleven–style team of private investigators. 

GAME ON
Gabra Zackman
Pocket Star Ebooks
April 6, 2015
$4.99 (Only $1.99 from April 6th – April 20th!)

From Washington, DC, to Paris, Legs is tailing Charles Oakley Palmer III, a white-collar criminal she’s determined to bring to justice. But will romance or betrayal blossom along the way? Find out in the first in a sizzling new series about a team of highly skilled investigators who go undercover to catch criminals—while juggling romance, world travel, and danger around every corner.

Debut author and actor Gabra Zackman knows romance.  GAME ON was inspired by the more than one hundred romance and women’s fiction titles that Zackman has narrated for audio. She divides her time between her native New York City and Denver, Colorado. @GabraZackman
———----------———
Upcoming Bod Squad titles: All In will publish on July 13, 2015 and Double Down will publish on November 2, 2015

The Patriot Threat - Excerpt!



The Patriot Threat
Steve Berry
March 31, 2015

President Franklin Delano Roosevelt hated being in the same room as former Secretary of the Treasury Andrew Mellon. But Mellon was one of the richest men in America—and he had an offer Roosevelt couldn’t ignore. Before the meeting ended Mellon left behind a web of clues that have just resurfaced to send Cotton Malone, Steve Berry’s retired Justice Department agent, on a harrowing 24-hour chase in THE PATRIOT THREAT (Minotaur Books; March 31, 2015; $27.99).

 The man that Malone is watching, writer Paul Larks, has stumbled across Mellon’s clues that our income tax might not be legal. Lark’s book to build his case has caught the attention of a deposed North Korean leader who wants to return to glory by throwing the United States into economic ruin. Cotton Malone must race to stop this dangerous scheme and find out where evidence of FDR and Mellon’s conversation is hidden.

 Blending little-known, but fascinating, historical fact with pulse-pounding fiction, THE PATRIOT THREAT is a startling revelation of the true nature of income tax in the US. It dares to ask hard questions—did our leaders realize from the start that the income tax would cause major problems?  Could it be illegal? And how might an enemy of the state use the income tax against us?


_________________________________________________________
Venice, Italy
Monday, November 10
10:40 p.m.


ON E




Cotton Malone dove to the floor as bullets peppered the glass wall. Thankfully the transparent panel, which separated one space from another oor-to-ceiling, did not shatter. He risked a look into the expansive secretarial area and spotted flashes of light through the semi- darkness, each burst emitted from the end of a short-barreled  weapon. The glass between him and the assailant was obviously extra-resistant, and he silently thanked someones foresight.
His options were limited.
He knew little about the geography of the buildings eighth floorafter all, this was his rst visit. Hed come expecting to covertly observe a massive nancial transaction—$20 million U.S. being stuffed into two large sacks destined for North  Korea. Instead the exchange had turned into a bloodbath, four men dead in an office not far away, their killeran Asian man with short, dark hair and dressed as a security guardnow homing in on him.
He needed to take cover.
At least he was armed, toting his Magellan Billetissued Beretta and two spare magazines. The ability to travel with a gun was one advantage that came with again carrying a badge for the United States Justice De- partment. Hed agreed to the temporary assignment as a way to take his
mind off things in Copenhagen, and to earn some money since nowa- days spy work paid well.
Think.
He was outgunned, but not outsmarted.
Control whats around you and you control the outcome.
He darted left down the corridor, across gritty terrazzo, just as an- other volley nally obliterated the glass wall. He passed a nook with a restroom door on either side and kept going. Farther on a maids cart sat unattended. He caught sight of a propped-open  door to a nearby ofce and spied a uniformed woman cowering in the dark interior.
He whispered in Italian, Crawl under the desk and stay quiet.She did as he commanded.
This civilian could be a problem. Collateral damage was the term used for them in Magellan Billet reports. He hated the description. More ac- curately they were somebodys father, mother, brother, sister. Innocents, caught in the crossre.
It would be only a few moments before the Asian appeared.
He  noticed another  office door and rushed inside the dark space. The usual furniture lay scattered. A second doorway led to an adjacent room, light spilling in through its half-open door. A quick glance inside that other space confirmed that the second room opened back to the hall.
That would work.
His nostrils detected the odor of cleaning solution, an open metal canister holding several gallons resting a few feet away. He also spotted a pack of cigarettes and a lighter on the maids cart.
Control whats around you.
He grabbed both, then tipped over the metal container.
Clear uid gurgled onto the hall floor, spreading across the tile in a river that owed in the direction from which the Asian would come.
He waited.
Five seconds later his attacker, leading with the automatic rifle, peered around a corner, surely wondering where his prey might be.
Malone lingered another few seconds so as to be seen. The rie appeared.
He darted into the ofce. Bullets peppered the maids cart in deaf-
ening bursts. He icked the lighter and ignited the cigarette pack. Paper, cellophane, and tobacco began to burn. One. Two. He tossed the burn- ing bundle out the door and into the clear lm that sheathed the hall oor.
A swoosh and the cleaning liquid caught re.
Movement in the second room confirmed what hed thought would happen. The Asian had taken refuge there from the burning oor. Be- fore his enemy could fully appreciate his dilemma Malone  plunged through the doorway, tackling the man to the ground.
The rifle clattered away.
His right hand clamped onto the mans throat. But his opponent was strong.
And nimble.
They rolled, twice, colliding with a desk.
He told himself to keep his grip. But the Asian pivoted off the oor and catapulted him feetfirst into the air. His body hinged across his op- ponents head. He was thrust aside and the Asian sprang to his feet. He readied himself for a ght, but the guard ed the room.
He found his gun and approached the door, heart pounding, lungs heaving. Remnants of the liquid still smoldered on the floor. The hall was clear and wet footprints led away. He followed them. At a corner, he stopped and glanced around, seeing no one. He advanced toward the elevators and studied the transom, noticing that the position-indicator displays for both cars were lit 8this oor. He pressed the up button and jumped back ready to re.
The doors opened.
The right car was empty. The left held a bloodied corpse, dressed only in his underwear. The real guard, he assumed. He stared at the con- torted face, obscured by two gaping wounds. Surely part of the plan was not only to eliminate all of the participants, but to leave no witnesses behind. He glanced inside the car and spotted a destroyed control panel. He checked the other car and found that it had also been disabled. The only way out now was the stairs.
He entered the stairwell and listened. Someone was climbing the ris- ers toward the roof. He vaulted up as fast as caution advised, keeping an eye ahead for trouble.
A door opened, then closed.
At the top he found an exit and heard the distinct churn of a helicop- ter turbine starting from the other side.
He cracked open the door.
A chopper faced away, tail boom and n close, its cabin pointing out to the night. The rotors began to wind fast and the Asian quickly loaded on the two large sacks of cash, then jumped inside.
Blades spun faster and the skids lifted from the roof. He pushed open the door.
A chilly wind buffeted him.
Should he re? No. Let it y away? Hed been sent only to observe, but things had gone wrong, so now he needed to earn his keep. He stuffed the pistol into his back pocket, buttoned  it shut, and ran. One leap and he grabbed hold of the rising skid.
The chopper powered out into the dark sky.
What a strange sensation, ying unprotected through the night. He clung tightly to the metal skid with both hands, the choppers airspeed making it increasingly difcult to hang on.
He stared down.
They were headed east, away from the mainland, toward the water and the islands. The location where the murders had occurred was on the Italian shore, a few hundred yards inland, a nondescript office build- ing near Marco Polo International Airport. The lagoon itself was en- closed by thin strips of lighted coast joined in a wide arc to the mainland, Venice lying at the center.
The chopper banked right and increased speed.
He wrapped his right arm around the skid for a better hold.
Ahead he spied Venice, its towers and spires lit to the night. Beyond on all sides was blackness, signaling open water. Farther east was Lido, which fronted the Adriatic. His mind ticked off what lay below. To the north, ground lights betrayed the presence of Murano, then Burano and, farther on, Torcello. The islands lay embedded in the lagoon like spar- kling trinkets. He curled himself around the skid and for the rst time stared up into the cabin.
The guard eyed him.
The chopper veered left, apparently to see if the unwanted passenger
could be dislodged. His body flew out, then whipped back, but he held tight and stared up once more into icy eyes. He saw the Asian slide open the hatch with his left hand, the rie in his right. In the instant before rounds rained down at the skids, he swung across the undercarriage to- ward the other skid and jerked himself over.
Bullets smacked the left skid, disappearing down through the dark. He was now safe on the right side, but his hands ached from gravitys pull. The chopper again rocked back and forth, tapping his last bits of strength. He hooked his left leg onto the skid, hugging the metal. The brisk air dried his throat, making breathing difcult. He worked hard to build up saliva and relieve the parching.
He needed to do something and fast.
He studied the whirling rotors, blades beating the air, the staccato of the turbine deafening. On  the roof hed hesitated, but now there ap- peared to be no choice. He held on tight with his legs and left arm, then reached back and unbuttoned  his pant pocket. He stuffed in his right hand and removed the Beretta.
Only one way left to force the chopper down.
He red three shots into the screaming turbine just below the rotors hub.
The engine sputtered.
Flames poured out of the air intake and exhaust pipe. Airspeed di- minished. The nose went up in an effort to stay airborne.
He glanced down.
They were still a thousand feet up but rapidly losing altitude in some- thing of a controlled descent.
He could see an island ahead of them. Scattered glows dened its rectangular shape just north of Venice. He knew the place. Isola di San Michele. Nothing  there but a couple of churches and a huge cemetery where the dead had been buried since the time of Napoleon.
More sputtering.
A sudden backre.
Thick smoke billowed from the exhaust, the scent of sulfur and burning oil sickening. The pilot was apparently trying to stabilize the descent, the craft jerking up and down, its control planes working hard.
They overtook the island flying close to the dome of its main church.
At twenty feet off the ground success seemed at hand. The chopper lev- eled, then hovered. Its turbine smoothed. Below was a dark spot, but he wondered how many stone markers might be waiting. Hard to see any- thing in the darkness. The choppers occupants surely knew they still had company. So why land? Just head back up and ditch their passenger from the air.
He should have shot the turbine a few times more. Now he had no choice.
So he let go of the skid.
He seemed to fall for the longest time, though if memory served him right a free-falling object fell at the rate of thirty-two feet per second, per second. Twenty feet equaled less than one second. He hoped that the ground was soft and he avoided stone.
He pounded legs-rst, his knees collapsing to absorb the shock, then rebounding, sending him rolling. His left thigh instantly ached. Some- how he managed to hold on to the gun. He came to a stop and looked back up. The pilot had regained full control. The helicopter pitched up and maneuvered closer. A swing to the right and his attacker now had a clear view below. He  could probably limp off, but  he saw no good ground cover. He was in the open, amid the graves. The Asian saw his predicament, hovering less than  a hundred  feet away, the downwash from the blades stirring up loose topsoil. The helicopters hatch slid open and his attacker one-handedly took aim with the automatic rie.
Malone propped himself up and aimed the pistol using both hands. There couldnt be more than four rounds left in the magazine.
Make em count.
So he aimed at the engine.
The Asian gestured to the pilot for a retreat.
But not before Malone red. One, two, three, four shots.
Hard to tell which bullet actually did the trick, but the turbine ex- ploded, a brilliant reball lighting the sky, aming chunks cascading to the ground in a searing shower fty yards away. In the sudden light he spotted hundreds of grave markers in tightly packed rows. He hugged the earth and shielded his head as the explosions continued, a heaping mass of twisted metal, esh, and burning fuel erupting before him.
He stared at the carnage.
A crackle of ames consumed the helicopter, its occupants, and $20 million U.S. in cash.
Somebody was going to be pissed.